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“Black Ink Crew: Chicago” (8 p.m., VH1). “Big Brother” (9 p.m., CBS). “Gordon Ramsay’s 24 Hours to Hell & Back” (9 p.m., Fox). “Wonders of Mexico” (9 p.m., PBS). “The Real Housewives of NYC” (9 p.m., Bravo). “Misfit Garage” (9 p.m., Discovery). “Insane Pools” (9 p.m., Animal Planet). “Guy’s Grocery Games” (9 p.m., Food Network). “Reverie” (10 p.m., NBC). “Yellowstone” (10 p.m., Paramount).

The theater and dance community also bid farewell to an icon of East Bay dance this past weekend, Highly respected dance instructor Lareen Fender passed away Aug, 25 after a long, difficult battle with cancer, In 1976, Lareen began The Ballet School in downtown Walnut Creek, little knowing that it would become an institution inspiring thousands of young performers, Her daughters Kerri and Jamie practically grew up in the school’s practice rooms, and now, her granddaughter black croco embossed ballerina slippers with laces, black croco flats, faux crocodile, lace up mary janes, yuna hike ballet in c Jennifer Perry is the director, ensuring that Lareen’s legacy continues..

Website: mitski.com. Bay Area shows: 9 p.m. July 8; Starline Social Club, Oakland; $15; www.ticketfly; 9 p.m. July 9; Bottom of the Hill, San Francisco; $15; www.ticketfly.com. Listen to: “Circle,” “I Want You”. The skinny: Mitski is a haunting talent, conveying such a rich range of emotion with her remarkable voice. The Brooklyn artist, whose full name is Mitski Miyawaki, can play it soft and sad, addressing issues of brokenness in fragile indie-folk songs. Yet, she can also be loud and defiant, screaming like the great Kristin Hersh at the top of her Throwing Muses game. It’s no wonder that many people are expecting big things from this vocalist-bassist, whom Rolling Stone named as one of “10 Artists You Need to Know.” She’s also got a lot of important people in her corner, including the music folks at NPR, who invited Mitski to play their big showcase at SXSW. Unfortunately, Mitski doesn’t hit the Bay Area until this summer. But, trust us, she’s definitely worth the wait.

For nearly three years, Van Dyck tramped through old breweries, Antwerp museums and libraries, searching through old newspaper articles and ancient archives, He knocked on doors, interviewed elderly retired brewers and even descendants of old brewing families before finally finding a brewer’s handwritten notes about brewing Seef, The recipe was in a black croco embossed ballerina slippers with laces, black croco flats, faux crocodile, lace up mary janes, yuna hike ballet in c shoe box, left behind by a deceased relative who had worked at one of the Seef breweries in the early 20th century, Van Dyck took the notes to two highly respected brewing scientists at the University of Leuven, father and son professors Freddy and Filip Delvaux, who agreed to analyze the recipe and help recreate Seefbier for modern brewing equipment, In a stroke of sheer serendipity, they also found some of the historic yeast used to make Seef, banked at the university..

“Usually at a busy jam session, you play one tune and you’re out,” says Merolla, 44. “But after the first piece, Vincent asked me to play two more tunes. At the end of the night, he hired me for the following week, and we’ve been working together ever since.”. Herring is one of the most powerfully swinging saxophonists on the New York scene, a player consistently hired by the masters who created the hard bop sound in the 1950s. He last performed in the Bay Area last year with drummer Jimmy Cobb’s So What Band, a group highlighting Cobb’s status as the sole surviving player on Miles Davis’s epochal 1959 album “Kind of Blue.”.