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“Eddie Raymond, Pete Innes & Friends, and Rob Wullenjohn, Paul Clanon & Friends own Sunday morning music at the Chit-Chat,” Amy explained. “After 2 p.m. on a Sunday, I book others. We are thrilled that so many musicians want to play here.”. The cafe has music Friday nights, Saturday nights, Sunday mornings and now often on Saturday and Sunday afternoons. The place is 1,200 square feet and can seat fifty. Sometimes on a weekend night, they open the windows and people listen outside and dance in the street.
AND STILL MORE BACH: Bach also figures prominently in Sunday’s concert by the San Francisco Symphony Chorus, The Bay Area-based early music ensemble Voices of Music joins the ballet shoes movie Symphony chorus director Ragnar Bohlin in Bach’s “Magnificat.” The program also includes Bach’s motet, “Der Geist hilft unser Schwachheit auf,” and the chorale “Jesu Bleibet Meine Freude.” Arvo Pärt’s “Te Deum” completes the lineup, Bohlin, by the way, recently conducted Pärt’s “Te Deum” at the California Symphony, and the results were stunningly beautiful, so this program should be one to remember, Details: 7:30 p.m, May 13, Davies Symphony Hall, San Francisco; $25-$69; 415-864-6000; www.sfsymphony.org..
Peninsula Ballet: Nutcracker Sweet, Dec. 2, 3, 9, 10; a 45-minute presentation of the story for youngest ballet fans. Peninsula Ballet Theatre Studio One, 1880 S.Grant St., San Mateo. $25. http://www.peninsulaballet.org. Peninsula Ballet: Hip Hop Nutcracker, 7 p.m. Dec. 15 and 4p.m. Dec. 17, Fox Theatre, 2215 Broadway St., Redwood City. $35. http://www.peninsulaballet.org. Peninsula Ballet: Nutcracker, 1 p.m. and 4 p.m. Dec. 16, 2:30 p.m. Dec. 17. Fox Theatre, 2215 Broadway St., Redwood City. $35. http://www.peninsulaballet.org.
Soprano Jessye Norman displayed her vocal versatility as the soloist for “In the Beginning” (the story of creation from the Book of Genesis) by Aaron Copeland with the the ballet shoes movie Symphony Chorus under the direction of Ragnar Bohlin, Following intermission, Norman returned to the stage wearing a red gown and singing Duke Ellington hits from the 1930s and ’40s, It was a night of encores: Ellington’s “(In My) Solitude,” arranged by Patrick Russ for Norman, and “Entrance of Bacchus” from the ballet “Sylvia” by Delibe for the orchestra..
Cher’s early review of “The Cher Show” is in, and she gives it a definite, eh. Over the weekend the actress and singer quietly sneaked into Chicago where the Broadway-bound play is set to debut. After catching preview performances, she declared that the musical about her life could use a little more life. “Some times, I was having a blast. Some times, my mind was wandering. I think those are the parts that are going to get better,” she said in a Q&A with the Chicago Tribune.
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