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“You can’t deconstruct something without understanding the original construction,” Stowell says. “I do think audiences, while hungry for the new, also long for something with form and structure that tests dancers’ technique. In more contemporary ballet, it can be hard to know whether a dancer is achieving the choreographer’s aims. And dancers need to be able to expose their technique in that way, to remind them why they work so hard.”. Certainly few dances require the rigorous work of the “Tarantella Pas de Deux.” Based upon a southern Italian folk dance that has provided inspiration for many a choreographer, Balanchine’s “Tarantella” combines folk elements with classical form in a relentlessly rhythmic dance that requires unflagging stamina and bravura wit. It’s a playful, sexy and over the top pas de deux that puts dancers to the ultimate test. Stowell performed it dozens of times around the world with San Francisco Ballet and was so linked to the piece that he gave it a final spin at his farewell gala in April 2001.

11th Annual Circle of Support Breakfast benefiting Family & Children the nude blush wedding ballet flats | bridal leather shoes with satin ribbons | nude with satin ribbons | ready to ship Services of Silicon Valley, 7:30 a.m, May 8, Keynote speaker is Joe Pantoliano, actor, author, and mental health activist, Crowne Plaza Palo Alto, 4290 El Camino Real, Palo Alto, $85 per person, $750 table of 10 , Call Sarah Bennett at 650-543-5412, email sbennett@fcservices.org or visit www.fcservices.org/join-us-cos2014, Spring Forward! Peninsula Symphony fundraiser, 5:30 p.m, May 10, Vocalist Wesla Whitfield and pianist Mike Greensill, Barbecue dinner, live and silent auction and wine raffle, All proceeds to support Symphony’s Bridges to Music in-school programs, Lucie Stern Center, 1305 Middlefield Road, Palo Alto, $85 per person or $600 for a table for eight, www.peninsulasymphony.org or 650-941-5291..

“Her spirit was so strong, and she kept on dancing. That quote: ‘I get up. I walk. I fall down. Meanwhile I keep dancing”–that’s exactly what she did,” Wingrove says. “I felt so badly that we never had a chance to work together, I know she was such a vital, strong person, she kept dancing no matter what.”. Wingrove set the piece to Applachian-influenced music by American composer Mark O’Connor, in part because the unique tune is not something that most audiences will be familiar with.

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“Our largest attendance comes from the Willow Glen area, where lots of Italian-Americans settled,” he added. Also in the cultural village, “La Befana”–a benevolent old woman with magical powers who brings gifts to the children of Italy–will present stories from Italian folklore on the children’s stage. The village will also house a special tribute to the late Irene Dalis, founder of Opera San Jose, and display regional maps of Italy for those who want to trace their family’s immigration to the U.S. in the early 20th century.